Tag Archive for: new music monday

New Music Monday – Heron Oblivion

Heron Oblivion

Heron Oblivion

New Music Monday is all about sharing the good tunes of new bands and artists that we love and/or coming to the Foundry soon! This week’s new band to check out is Heron Oblivion (Sub Pop) featuring Ethan Miller (Comets on Fire, Howlin Rain), and Noel Von Harmonson (Comets on Fire, Six Organs of Admittance), Charlie Saufley (Assemble Head in Sunburst Sound), and Meg Baird (Espers).  Nevada County music fans have seen Miller, Harmonson and Baird perform at various local shows and local folk songstress Mariee Sioux toured with Espers.  Most recently Miller and Howlin Rain played the Miners Foundry in 2012, and we hope this incredible all-star lineup finds their way back to the Gold Country!  Their first album is out this week on March 4th.

“Pastoral pummel. Listening to Heron Oblivion’s album feels like sitting in a lovely meadow in the shadow of a dam that’s gonna heave-ho’ any minute. Members of this new San Francisco combo have put in time in both raging and relatively tranquil psychedelic sound units—this is the premise and the synergy behind this very unique and special new album.

Three shades of light run through Heron Oblivion: Baird’s rich, beautiful vocal approach, the locked-horns bass and drums of her and Miller’s streamlined-but-motorik rhythm section, and a twin guitar tapestry that both aligns with the dreaminess of the songs and crackles out of containment to froth over the rim. It’s a seamless but pronounced thing: “Oriar” sports dramatic spires of solos that fly high out of the gate, slowly settling in to lilting verses then exploding again, “Rama” drifts like an Opal/Fairport wedding with more tumbling, syrupy electric lines all around.

Meg’s gorgeous singing resides within an untouchable domain and never struggles, nor has to combat the avalanche of guitars that ebb and flow. The only other record this could be remotely compared to maybe is the Slap Happy Humphrey record on Japan’s Alchemy label years ago, where female vocal melodies combat sick walls of noise guitar. But in this case a definite West Coast style reigns—where elements meld rather than stand as opposing black-and-white walls: Even the heights of guitar destruction on Heron’s “Faro” build steadily and organically from the beginning to end.

The group first properly gigged in April of 2014 opening for War On Drugs. They finished the record independently, then inked a deal with Sub Pop in early 2015. Most recently they toured the West Coast with Kurt Vile and Cass McCombs.”

-Brian Turner/Music Director WFMU Jersey City NJ

Click here to listen to the entire album on NPR’s First Listen.

New Music Monday – Karen Savoca


New Music Monday is all about sharing the good tunes of new bands and artists that we love and/or coming to the Foundry soon! This week’s artist to check out is Karen Savoca who will open for Grammy-nominated folk musician Greg Brown on Sunday, March 20th, at the Foundry.

Karen Savoca’s baby diary reads, “20 months, knows six songs”. Born in northern NJ, daughter of a big band singer, her mother was not at all surprised to find her constantly dancing and singing. Karen studied piano at the age of eight, and at thirteen cracked her piggy bank to buy a guitar. She started writing songs in her early teens, sang in choirs, played in bands, and has been performing ever since.

“A voice with this much strength and easy confidence is a rare find. But that’s not where Savoca’s talents end. Her songs are filled with good humor, sensuality, and nature’s simple pleasures. She can work a sly smile into a lyric that makes you smile in spite of yourself. Open up and let her in.” – All Music Guide

Acoustic Guitar magazine calls Pete Heitzman “A true virtuoso of groove, with a sly touch that, combined with Savoca’s in-the-pocket drumming and spectacularly soulful vocals, gives the duo the impact of a four-piece band.”

Having performed together for decades, Savoca and Heitzman’s chemistry leaves audiences uplifted, wowing 10,000 from a festival main stage as effortlessly as they charm an intimate black box theater.

“Grit and sensitivity… percussion and groove… spanning soul, blues, r&b, roots and world rhythms like a high wire act working without a net.” – Six String, Columbus, OH

Savoca’s seventh solo album, “Promise,” was recorded in their 1890’s renovated church-home studio, nestled in the hills of upstate NY. The Edmonton Journal says, “There’s soul in the delicious grooves and phrasing, and soul in the broader sense that floats out of her lyrical vision.” “Promise” reached #1 on Alberta’s CKUA, and #25 on the Euro/Americana chart.

“Embracingly beautiful songs that have a beguiling way of changing and reconfiguring themselves like an aural kaleidoscope.” – Duluth News Tribune

In addition to their own catalog, Karen and Pete have produced two albums for Americana legend, Greg Brown, who says, “If she were a Native American, her name would be Sings Like Two Birds.” They have played hundreds of shows with Greg across the U.S. and Canada.

Karen and Pete have won seven SAMMY awards and are independent record producers and film scorers. They are currently recording I Shook The Tree, due for release in 2016

“Melodic songs that probe the mysteries of heart and soul. One of the most breathtaking live performances I’ve ever experienced.” –WILLAMETTE WEEKLY